|
|
 |
|
Digital RAW Workflow for Beginners
Having an efficient work flow is essential for photographers. In the days of film, many of the tasks in the film work flow were handled by the lab. Now, more and more photographers are switching to digital and have to handle many of these tasks themselves. The purpose of this document is to provide a basic digital work flow for working with RAW images that is camera and system independent.
Work flow Step 2: Importing and Backing Up Your Images There are many ways to get your images from your camera to yourcomputer. Some people use a card reader that will read the images off the memory card from the camera. Others connect the camera directly to the computer and import the images directly. No matter how you get the images to the computer, your first step is to setup an organizational structure for the images and create a backup copy of the RAW files for safety. First, create a folder to store your image files. In our studio, we use the folder name to organize our images. For instance, let's say we are importing images from a portrait session with Jane Doe that took place on January 1st, 2005. Our folder name for this session would be P_2005_DoeJane_0101. If we also did a portrait session with John Doe on the same date, our folder would be named P_2005_DoeJohn_0101. This allows us to keep our images organized in a way that we are familiar with. Use whatever folder structure you like, as long as it helps you keep things organized. Next, we will create the folders under our P_2005_DoeJane_0101 folder that we will use during the course of processing the images. We create the following folders: RAW, WORK, and JPEG. The final file structure looks like this: -+P_2005_DoeJane_0101-|-RAW-|-WORK-|-JPEG The RAW folder holds our RAW image files, the WORK directory holds the processed TIFF files where we will do all of our editing, and the JPEG folder holds the completed files, ready to be uploaded to the lab. Copy the images from your camera to the RAW folder using whichever method you prefer. As soon as this initial copy is complete, make a backup copy of these images. Some photographers backup to writable CD-ROM or DVD discs. Other photographers backup to a separate backup hard drive. No matter what method you choose for your backups, they are CRITICAL. Make sure you can recover your images if something should happen to your memory card. Work flow Step 3: Verify Your Backup Your backup copy of the RAW images files is important. Take a moment to verify that you can read the images you copied to your backup medium. Once you have verified your backup medium, you may proceed with the work flow. Work flow Step 4: Culling the Herd Converting the images you never want the client to see wastes time and money. Use your preferred image browser to go through the RAW images and delete any that you know you won't use. Don't worry about deleting the wrong file, that is why we made a backup. If you delete a file you wanted, just bring it back from your backup. Once you have selected your "keepers" from the RAW images, it is time to move on to the next step. Work flow Step 5: File Conversion Most cameras come with software specifically designed to convert the RAW image data from its native format into TIFF files, JPEG files, or some other format that is compatible with the popular image editing software. At our studio, we convert the RAW images into 16-bit TIFF files,because we like to have the maximum amount of data available forediting and processing. Your needs may vary. There are many articles on the Internet that deal with the different file formats and the pros and cons of each. For the purpose of this tutorial, we are going to assume that the files are being converted to 16-bit TIFF files. We now open the software that came with our camera and set it toconvert our RAW image data to 16-bit TIFF files, and save them in the TIFF folder we created in Work flow Step 2. This step can be time consuming, so we often go out to eat while the images from a session are converting. Once the conversion is finished, you will have a folder of 16-bit TIFF files to do editing and retouching on. We use TIFF at our studio because it is a loss less format. That is, we can save the file as many times as we like without degrading the image quality. JPEG is a lossy format, every time you save a JPEG file, you lose a little more data to compression. Work flow Step 6: Editing and Retouching This step of our work flow is where the real work is done. You will open each TIFF file in the image editor of your choice and make sure your colors and exposure are correct, the crop is the way you want it, and the image is ready for printing. At this point you will make any edits to the image, such as changing the crop, converting it to black and white, or doing any needed retouching. If you use the TIFF file format, you can save as many times as you need to during this process without having to worry about losing image quality. Once editing and retouching is done, save your work file and move on to the next step. Work flow Step 7: Saving the Production File One of the cons to working with 16-bit TIFF files is that they take up an incredible amount of disk space. Once we have reviewed the images with the client and ensured that no further edits/retouching need to be made, we convert the TIFF file to a JPEG production file for archive purposes and sending to the lab. Open the TIFF file in your preferred image editor and save your file as a Baseline Level 10 JPEG in the JPEG folder we created earlier. Why not save as a Level 12 JPEG, you might ask. When printing your image, there is no discernible difference between a level 10 JPEG and a level 12 JPEG. Try it for yourself and see. Once your files are saved as JPEGs, move on the the next step. Work flow Step 8: Backup Your Production Files This is a good time to make a backup (either to CD/DVD, or to another hard disk) of your JPEG production files. This ensures that you have a copy of all your hard work and if something should happen to the original files, you know you have a good backup. Work flow Step 9: Cleaning Up the RAW and Work Files Once we know we have a good backup of our production JPEGs, we delete the entire WORK folder and the entire RAW. This frees up the large amount of space that TIFF files require and leaves us with a manageable set of files from the job. However, we have already made backup copies of the RAW files and the JPEG files, so if we ever need to re-edit an image, we have the materials to do so. Work flow Step 10: Final Touches At this point our production JPEG images are ready to print or send to the lab. Make any final adjustments to the image size and print or upload your images. Final Thoughts With an efficient digital work flow, handling large amounts of digital images is easy and relatively stress free. I hope this tutorial has given you some ideas on how to best setup your own RAW digital work flow. Martin F. Hengst has been a professional photographer for more than a decade. He and his wife Barbara run Captured Radiance Photography, a studio dedicated to glamour, boudoir, and intimate portraiture. His online portfolio can be found at: http://www.capturedradiance.com
|
|
|
|
RELATED ARTICLES
Digital Camera Interpolation Explained In a device such as a digital camera it is very important to understand the very basic aspects of the device so as to properly operate it and give it the due respect it deserves. Such a topic is interpolation! These are accessories that help the digital camera to perform the technologically advanced features that it is capable of. In extreme explanatory and simple terms it can be summed up as that interpolation refers to software programs that can effectively enlarge image resolution beyond the actual resolution by adding extra pixels using complex mathematic calculations. Now, this is a feature that can be absolutely useful in providing a good success to a user. The Benefits of Underwater Digital Cameras Underwater digital cameras are fun and easy to use under the water and great above the water as well. Use your underwater digital camera in all kinds of weather, for many activities and in a variety of locations that could be either wet or wild. Entering the World of Digital Video Cameras Gone are the days when you would need to employ a professional to take a video for your business projects. Whether you need it to provide training to your employees or students, you can do it yourself with the help of a digital video camera. In fact, with the advent of the Internet, and e-learning becoming so popular nowadays, a digital video camera has become essential equipment for all organizations, especially training or educational institutes. How To Avoid Or Reduce Red-Eye Photography with the aid of a digital camera is beyond doubt very fascinating. However, it also has many a nooks that the users of the digital camera must be aware of and also must be well educated to deal with in order to produce good photographs worth the most prized digital camera. Such a concept is that of the red eye! In order to understand what this red eye actually is, a little detailed introspection is necessary. Basically speaking red-eye is a function of at least three things, they are firstly, ambient level of light because stumpy light level causes the retina of the person to be photographed to open wider to admit more light thereby divulging open the iris, which is the primary part that reflects the red light hence giving the appearance of red eyes for the subjects. Also secondly the younger the person being photographed the wider remains the retina and hence the greater the effect of red eye in the picture. Thirdly, the reflection angle of the flash plays a vital role, as the light is recoiled back to the digital camera and the closer the incident light beam is to this reflected light beam, the greater becomes the red eye effect. To prevent this instruments such as flash brackets are useful to make the flash a bit removed from the propinquity of the lens. Thus the red eye effect is somewhat revealed till this part of this discussion. Now is the time to look into a greater detail in order to analyze the various aspects of the red eye effect and also find out ways of reducing the problem as far as possible. Underwater Digital Cameras Underwater photography's is primarily focused towards entertaining and informing the people and the users themselves about what is happening in the world of under water with the aid of photography. The advent of digital cameras has opened up new horizons for such ventures. These digital cameras are not only handy and sleek but also they offer a spectral range of features that helps the underwater photographers in their work a lot. In this discussion these special features of underwater digital cameras are necessarily been revealed and done justice to! Where to Find Cheap Disposable Cameras There are many kinds of disposable cameras. All disposable cameras are already inexpensive, but there are some that are even more of a bargain than others. While individual disposable cameras are almost always affordable, sometimes the price becomes an issue when many need to be bought at once, such as for a wedding. Aside from that, it's always nice to get the best price possible, even if you're buying a single camera. Fuji Digital Cameras Fuji digital cameras entered the market in the late 90's. Started in Japan in 1934, Fuji has always tried to stay ahead of the pack. The history of this company is rather interesting so let us take a look at it. How to Take Better Photos of Your Baby or Toddler Every Mom wants to take great photos of their babies and toddlers. We all want professional looking photos for our children without paying a fortune! This better baby photo article will help you take the best photos you can and you don't even have to own an expensive camera. Make Your Digital Camera Batteries Last Longer One technology that hasn't kept up with the rapid pace of new digital cameras is camera batteries. The more features a camera has, the quicker it seems to use up precious battery power. There are three features of digital cameras that chew up battery life the quickest: Infrared Photography and the Car Thief ? Successful Digital Imaging Infrared photography is sometimes placed on the outside edge of the mainstream photographic world. To the uninitiated observer infrared photography conjures up television images of car thieves speeding away from police helicopters during the dark hours of the night, only to be caught hiding beneath bushes beside a darkened home as their hot bodies light up the camera monitor in the police chopper like Bedouin camel herders atop a Sahara sand dune. Types of Digital Cameras If you are in the market to purchase a digital camera, you have surely seen several different types of cameras. It isnt exactly clear what the differences between the types are, and it can be confusing trying to choose the digital camera thats right for you. In this article, we wil discuss the different types of cameras so that you can better understand what to look for in purchasing a digital camera. Sepia Toned Prints from Your Colour or Black and White Photos ? 5 Minute Digital Fix Quite often I will have clients bring in old photographs of their "elder" relatives that were taken before colour photography was around. Digital Cameras & Resolution While analyzing any camera, one of the most important qualities of a photograph that a person seeks, is resolution. This word itself needs a brief discussion before progressing onto its implication upon a digital camera. This is a word that seems to almost every new photographer as a nightmare. With all the myths and irrelevant information circulating all around, this is quite common. This however is an effort to clear those misty myths and provide good information for everyone. Without any complexity, generally a photograph, either viewed on the screen or printed, is composed of infinitesimal dots (called pixels). The greater amount of these dots that can fit per inch of space, the smaller the dots and the sharper the image. This is the basis of understanding ... resolution! Photo Equipment Lists You arrive at your photo shoot excited about the images you are about to take ? that is, until you realize that you have left an important piece of equipment at home. You now will have to improvise, spend extra money or time to replace the item, or go without it for the shot. Digital Photography: The RAW vs JPG Debate If you use a digital camera (I use a Canon EOS Digital Rebel/300D myself) and that camera is an SLR, then it most likely can record images in RAW format. In general, you should record your images at the highest resolution possible. If you only have a small memory card and are worried that you can only record a few RAW images on it, then it's time to buy a bigger card! [They don't cost much these days]. You can always shrink an image after it's taken but you can't enlarge a small one without introducing artifacts. At the very least, you should have your camera record images in Hires JPG format but RAW format is even better. Elephants in the Sky and Four Poems Elephants in the Sky HP Digital Cameras - History and Beyond HP has started making digital cameras only recently. However, the firm provides a one-stop-shop for all digital facilities. The company has made a large number of innovations over the years. Let us view the interesting history of this company. Everybody is Fixing Their House or Apartment Up These Days. Use That Digital Camera to Capture That's right, you go through all the trouble of making your house or apartment nicer by hauling yourself off to the local fix it yourself store or hiring some professionals to come in and do it for you, so why not capture an accurate record of it for posterity. At almost no cost I might add. 10 Things You Can Do to Protect Your Photographs from Infringement While it would be nice to live in a house where you don't have to lock the door, it's not practical these days. Likewise, here are 10 things you can do to help safeguard your images from being stolen. Black & White Photography Photography is a diversified field of creating a spectral variety of art. It is a specialization that deals with different experimentations with colors, however it is also a fact that only shades of black and white can also do wonders in this zone of creative art. With the advent of the digital camera the scope of this wonderful business has opened up new horizons for the users and photographers who seek to explore new lands and trod the ground of innovative creation and thus it can be aptly said that black & white can become more creativity with the boon of digital photography and digital camera. This discussion is primarily aimed at exploring the incipient information regarding the blessing of the digital camera in black & white photography so that the novice as well as the expert photographers can become richer in knowledge!
|
| home | site map |
| © 2005 |