|
Picture Framing for Photographers - Part 2
There are two sources for obtaining the moulding for making a frame. You can firstly start with a straight piece of timber, and using a home routing system make your own moulding shape with a rebate to take the art work. Alternatively you can pick from a large range of ready finished mouldings available from your local frame shop or hardware store. I recommend the latter. It's easier, the choice is much wider, and it's more cost effective. However, one word of warning. Always look for a moulding with a good straight back and not too flat on the surface. If the moulding has a bump or some raised section in the top surface it will cut and join easier than a flat moulding. Most mouldings are made from pine or obeche. These are soft grain timbers and cut and join well. Hard timbers like ramin are more difficult to work with. Measuring and Cutting How much moulding will you need? The outside dimensions of the frame are determined by the size of the mounted photograph. Carefully measure the overall size of the matted picture you're framing, adding a little extra (3-smm) for "play" to ensure the picture fits easily into the finished frame. Add the length and the breadth together, then double the total. This will give you the overall length. But you also have to allow for the mitre cuts, so multiply the width of the moulding by 10 and add this to your total (total length required = 2 x (length + breadth) + 10 x width of moulding). The 45 mitre cuts are most important - a bad cut will never join properly and will always look terrible. There are a number of machines on the market for cutting 45 degree mitres starting with the simple mitre box, radial arm saw with a mitre attachment, or a commercial mitre saw (see picture 1). Cutting one side of a frame is easy. Cutting the second side to be EXACTLY the same side to the first side is the hard part of frame cutting. Using a measuring system you can cut lengths accurately every time. The FrameCo measuring system will attach to any brand of electric or manual mitre saw and will make the cutting of the frames quick and foolproof. If you have a saw you can cut without using a measuring system. Follow this easy step-by-step guide to cut mitred lengths for your frame: * Calculate the dimensions of your frame. * Place the moulding into the saw. ? Cut off a small piece at 45 degrees with the saw in the lefthand position. * Remove the moulding from the saw. ? With a tape, measure along the back of the moulding, to the length you require. To this length you have to take into account the size of the moulding you are using. So you add to the length of the side an amount equal to twice the moulding width - not including the rebate. Then make a pencil mark on the back of the moulding near the top so that you can see the mark. ? Put the moulding back in the saw and align the saw blade on the pencil mark. ? Swing the saw around and cut the next mitre. ? Place the two pieces back to back so you can transfer the size you have just cut to the back of the moulding length. ? Repeat the cutting procedure for the other pieces. Joining the Frame To ensure a tight and stable joint, glue should be applied, especially if the frame is large. A light smear of a good quality PVA glue is all that's necessary. Although it is possible to buy clamps that join two corners at a time, it's simpler and quicker to clamp all four corners at once. This allows you to see how the corners match up before gluing and securing the mitres. There are several types of clamps... Cord Clamps: This simple, but effective clamping system works well for small to medium-size frames. It consists of four flexible plastic corners and a length of cord. (See picture 2). Metal Strap Clamp: This clamping system is slightly more sophisticated and consists of a metal strap, flexible corner pieces and a screw operated tensioning device which allows you to apply a considerable amount of tension so that the corners are pulled together tightly. The Strap Clamp is suitable for large and small frames. (See picture 3). Once the frame is clamped together and you've made sure all the corners are aligned, then the mitre joint should be secured or reinforced. Glue alone is not safe and secure enough for most sized frames. Here are some options. Panel Pins: You can nail a panel pin across the mitre. It is advisable to pre-drill the holes and secure the joint in a vice before hammering the pins into the frame. Punch home the nail head and fill the hole with a coloured woodfiller. V-Nails: Professional framers use these v-shaped staples, which are inserted using a special manual or pneumatic joining machine. The "PushMaster" is a DIY version of these machines and is suitable for low-volume high-quality framing such as required for photography or portrait framing. Biscuit Joints: More suitable for large and heavy frames such as mirrors. Most commercial picture frame mouldings are small and a biscuit joint is not necessary. V-Nail Joining Machines There are several models of these machines and all are suitable for the DIY or low-volume picture framing. Here are some of the models. PushMaster: Similar to a large punch, the PushMaster is a handheld, easy to use tool for inserting the v-nails into the back of timber picture frames. The vnail is loaded onto the magnetic end of the PushMaster, sharp end down, then simply pushed into the wood. The v-nail pulls the joint together because it is made from spring steel. The advantage of the PushMaster is that it doubles as a fitting up tool. The magnetic tip can also be used to fit flexipoints and backing nails to secure the picture into the frame. (See picture 4). BenchMaster: The BenchMaster is ideal for the serious DIY framing photographer. The powerful cam action of the handle combined with the heavy duty Push Master drives v-nails into the hardest of timbers. Its gentle hand action suits joining small or odd-shaped mouldings. If you start with FrameCo's Push Master you can upgrade to the BenchMaster at any time. (See picture 5). V-Nails - How Do They Work? Upon entering the wood moulding from the base, the sides of the metal v-nail are deflected outwards. As the v-nail pulls back into its original shape this pulls the joint tightly together. There is a little curl on the outer leading edge of the nail that locks the nail into the grain of the timber. This stops the nail from pulling out of the end of the mitre, keeping the joint stable and secure. The v-nail method of joining is the preferred method of professional picture framers. With a few simple hand tools it's possible to achieve the same result with a minimal outlay in machinery. Making Multi-sided Frames With most good quality suspension type mitre saws there's always the possibility of cutting mitre angles other than 45 degrees. The problem is that the saws do not have a system of measuring the length of the cut. The FrameCo measuring system has a clever scale included with the unit. It allows you to measure a length for any angle. A six-sided frame has the six mitres cut at 30 degrees, while an eight-sided frame has the eight mitres cut at 22.5 degrees. The Measure Mate Scale converts the measuring system into a multi-angled scale so that each one of these different angled mitres can be measured. So it's possible for the amateur framer to make attractive multiangled frames that add style and creativity to your framing. Finishing and Assembly Now that the frame is joined and the glue joints dry you're ready to assemble your mounted photograph into the frame. The PushMaster can be used to fit backing nails or flexipoints into the frame to hold the picture into the rebate. Seal the back of the picture with gummed tape or good quality backing tape. The best backing tape to use is a silicone coated tape as this will not peel off over time. Screw two small O-rings or screw eyes into the side of the frame, approximately one third of the distance down the top of the frame, then attach a length of wire or cord securely through the O-rings or screw eyes. After that, your image is ready to hang on a wall. Gary Leete, of Frameco Picture Framing Supplies, is a professional framer. For further information on any of the his DIY picture framing tools contact FrameCo P/L Australia, Ph: (03) 98723600 or visit the web site at http://www.clubframeco.com
|
RELATED ARTICLES
7 Things You Must Do If You Want To Make That Perfect Camera Shot Saturate yourself with your subject and the camera will all but take you by the hand. Margaret Bourke-WhiteThese tips should help you relive those moments back where you've said "if only I had a camera." Now you will have it captured on film. These tips should help you to be camera ready. Digital Camera Disc Formats As it is a fact that digital cameras are comprised of miniature computers that have storage discs for retrieving the images as digital information, so a certain amount of knowledge is necessary regarding the digital camera disc formats. A proper understanding of the disc formats of the digital camera memory can help the photographer or user make efficient use of the device in a correct and useful fashion. This discussion is aimed at revealing these little details! The Benefits of Disposable Cameras Disposable cameras are cheap and easy to use. If you just want to take some snapshots and have fun then this is the camera for you. You can buy them in bulk for weddings and other special occasions. You can even take some of them underwater. Whether you take them snorkeling or to a messy kid's birthday party, you won't have to worry about ruining your expensive equipment. Removing a Textured Pattern from a Scanned Photo ? 5 Minute Digital Fix One of the most common problems when dealing with scanned photographs as part of a digital restoration activity is that after scanning, the digital image appears to have a textured pattern to it. Review of the Photek Product Shooting Tent Here's the challenge. You have to photograph small items for Ebay or for clients' brochures. Lighting them can be challenging. Small reflective items usually exhibit specular highlights that must be controlled. If you add a product/shooting tent to the equation, your job is made dramatically easier. Choosing The Right Digital Camera Let's get something straight right out of the box. If you're looking to buy a new digital camera, you don't really have to be an expert in pixels and mega pixels and all that kind of stuff. If you expect to find that kind of deep technical discussion here, you're in the wrong place. 10 Steps to Buying a Digital Camera You Must Know You are anxious to purchase your new digital camera! You want to get it in your hands quickly so you can begin to enjoy it. Are you going to go to the store right now and pick one out? Wrong! You must have some basic knowledge and know-how prior to entering into the world of salesmen and digital cameras! Here are the steps to buying the digital camera that is right for you. Take Spectacular Nighttime Photos with Your Digital Camera - Part II Night photos can take on a somewhat magical quality you may find lacking in normal daytime photography. Amazing night pictures certainly can attract attention. As the sun goes down, however, it becomes harder to capture images without the proper equipment and techniques. Thus, as was mentioned in Part I of this series, taking incredible nighttime photographs requires a lot of planning. Selecting Your First Digital Camera Purchasing a digital camera is a wise decision, particularly if you take a lot of pictures and you want to control how they are developed. Camera prices continue to plummet and Americans are exchanging their 35mm cameras for digital devices at a record pace. The choices for you can seem endless, but with careful comparison shopping you can bring home a bargain! The following online sites provide visitors with helpful information to make an informed decision: Pinhole Photography: Right Back to Basics Why Pinhole Photography? How a Digital Camera Works The digital camera is not something of a magic box that came out of the blue and made wonders! The digital camera is very much like the conventional analog camera, but the technology has been altered. It also contains most of the associated components that the conventional camera contains, like lens and a shutter for letting in light, however instead of reaching a photosensitive film, the light is made to fall upon array of image sensors or photosensitive cells. Much of the differences are like this, yet most of it still remains in oblivion for the ordinary people. And it order that the digital camera gets its true respect, it is necessary to explore these areas of truth and reveal them in light. Magic and the Photograph It was widely reported in the press (15 September 1997) that a British tourist, who stole a lump of stone from the base of the Great Pyramid five years earlier, returned it to the Cairo Museum with a letter saying that 'it had brought him bad luck ever since'. The Museum authorities were not surprised; several such items had been returned by people who felt cursed {When the Luxor Casino was built in Las Vegas it moved on its foundation so the elevators had a lot of re-engineering to be done, while I lived in Las Vegas. The death toll during its construction was nine. Do you think a religious and spiritual force knows when it is being improperly sullied?} after stealing them. A good reason for caution is the largely bogus story of an Egyptian coffin lid - or fragment of a coffin lid. It was told to Arthur Weigall, author of 'Tutankhamen' (1923) by its one-time owner, Mr. Douglas Murray who purchased the coffin some time in the 1860s: 'no sooner had he done so than he lost his arm, owing to the explosion of his gun. The ship in which the coffin was sent home was wrecked, and so was the cab in which it was driven from the docks; the house in which it was deposited was burnt down; and the photographer who made a picture of it shot himself. A lady who had some connection with it suffered great family losses, and was wrecked at sea shortly afterwards...The list of accidents and misfortunes charged to the spirit which is connected with this coffin is now of enormous length. Understanding Digital Photography Most serious photographers and all professionals use a Single Lens Reflex camera (SLR), the definition of an SLR camera is that the image is captured exactly as you see it in the viewfinder. However there are now two types of SLR the single lend reflex film (SLRF) and the single lens digital (SLD). They are both single lens camera, but digital does not use film and the resulting image can be processed at home with the aid of a photographic editor such as the chemical component in a traditional camera is film. When film is exposed to a real image, it makes a chemical record of the pattern of light, coming through the lens. Film has a collection of light sensitive frames, suspended on a strip of plastic. Colour film has three different layers of light sensitive material, which respond to red, green and blue (known as the (RBG) values. When the film is developed, it is exposed to chemicals, which dye the separate layers of film, into a color negative. All modern film is made up of silver halide crystals. Taking Professional Quality Pictures By now I'm sure you've used Either a digital or film camera. You've taken pictures and had them developed and just weren't satisfied with the Quality. You don't need to be a professional or have a really expensive camera to take good photos. Here are some tips that can help you take your photo's from 0-100 in no time. Start Up a Nude Photography Business There are major obstacles to overcome to get into nude photography, not least of which is the need to practise technique. By its very nature there has to be at least one subject, and the big problem for the photographer here is image. To some the image of nude photographer is tied in with the "dirty Macintosh" brigade, with the false wig and dark glasses. Infrared Photography and the Car Thief ? Successful Digital Imaging Infrared photography is sometimes placed on the outside edge of the mainstream photographic world. To the uninitiated observer infrared photography conjures up television images of car thieves speeding away from police helicopters during the dark hours of the night, only to be caught hiding beneath bushes beside a darkened home as their hot bodies light up the camera monitor in the police chopper like Bedouin camel herders atop a Sahara sand dune. Travel and Scenic Photography 101 When you're driving through the mountains somewhere, and you notice a car parked half off the road and some guy leaning to the left to avoid a branch with his Rebel 2000 camera in the act of focusing, you've met me. I do this because, to me, a trip isn't fulfilling unless I've preserved that beauty for posterity. I'd like to share some of the techniques that make scenic photography such a wonderful artform - simple, yet elegant.First off, equipment. As much as the cheapo disposable camera beckons, get real. These cameras have fisheye lenses which I call "spam" lenses. They cram everything in, with equal blurriness and boringness. Good photos are sharp, unless you use blur for artistic effect. Sharp comes from an adjustable lens. It can be a fixed lens or a zoom, but it must focus specially for each picture. Fixed lenses are limiting for scenic pictures, where to frame the shot you may need to move long distances. Imagine using a fixed lens on the Washington Monument, when you're half a block away! Zooms get my vote, even though they often don't have as wide an aperture, which limits their capabilities in low light situations. Practically speaking, an SLR is the absolute best. They are lightweight, and can be used with top quality lenses. Film SLRs tend to be less expensive, but have the limitations of film, meaning you have to get it developed and so forth. Digital SLRs are VERY expensive, so for the budget conscious either go with a film SLR or a high quality basic digital camera. With digital, resolution is also a critical factor, so look at the specs before you buy.OK, we've got the camera, emotions are running high, and that's great, but not too great! Sometimes I find a spot that is so wonderful, I start shooting like a madman, only to be disappointed by the pictures. What happened? Emotions. When you experience a place, there are sounds, aromas and breezes as well as the visuals of the spot. Needless to say, you can't photograph all of these elements, only the visual. When overwhelmed by the spectacle of a scenic hotspot, we are often overwhelmed by all of these elements.So what to do? Look through your camera. The viewfinder does not lie (usually). Try to see what you are looking at as the finished picture. Most people perfunctorily take pictures, hoping that somehow the shot will come out great. If you wonder how the pictures came out when you are on the way to the drug store to get them, you're doing something wrong. At the moment you click the pic, you should know exactly what you will get. (Of course with digital, that's not a trick!). Now, I was a tad dishonest in saying that you can't capture all of the elements of a scene. You can hint at them. For starters, motion. Yes, even in a still picture, there is motion. Something happened before, during and after your picture. In a mountain vista scene, you may find something that hints at motion, whether it be a branch of a tree that has been swaying in the breeze, or a river flowing through the valley below. These add a sense of motion. Then there's the "rule of thirds." When you place the main object of the picture smack-dab in the middle, it is static and boring. Place it one third of the way from either side, and you IMPLY motion. Put the horizon in a landscape photo a third of the way up or down, not across the middle.Remember, when a person looks at a picture, their eyes move. You want to frame your photo to help that movement. If you can find some lines in the scene, such as a skyline, cloud formation, path through the forest, etcetera, use it interestingly, and with the rule of thirds to draw your viewer's eyes into the picture.Avoid "summit syndrome." You get to the top of Mount Washington and shoot the majestic vista. Great. The pictures come out ... boring! How? No PERSPECTIVE. Big vistas will be flat unless you have an object in the foreground, such as a rock or a tree, to give them perspective. Then the eye really grasps how big this scene is. People enjoying the view is a real winner, because the viewer may identify with their emotions, giving the image real impact.Cheese! Yes, you do have to take the family photos. It's obligatory. But when you do, make sure that they show the LOCATION of the photo. Otherwise, you might as well do it on your driveway. Frame the scene in context, with landmarks as part of the picture. Find a way to tell as story in the picture, such as little Sara climbing up the rocks by the waterfall.Finally, any element in the picture that hints at more senses than just the visual will make it remarkable. Actor headshots for example, tell a story about the subject. You can almost hear them saying their next lines. If you photograph a garden, the viewer may experience the aroma of the flowers. A tourist street with an accordion player on the corner may have your amazed friends whistling "Dixie."In summation, picture taking on travel is recording the experience in a satisfying way. Use motion, perspective, sensory, storytelling and so forth, to bring your photos to life. Oh, and needless to say, make your job easy and go to great places! See you at the overlook! Where to Find Cheap Disposable Cameras There are many kinds of disposable cameras. All disposable cameras are already inexpensive, but there are some that are even more of a bargain than others. While individual disposable cameras are almost always affordable, sometimes the price becomes an issue when many need to be bought at once, such as for a wedding. Aside from that, it's always nice to get the best price possible, even if you're buying a single camera. A Guide to Underwater Cameras There are two types of underwater camera systems: an ""amphibious"" camera, which is a self-contained waterproof system, and an SLR land camera with waterproof housing. Amphibious systems are small, compact, and easy to travel with, while SLRs offer more advanced features, such as auto-focus, advanced exposure control, and through-the-lens viewing. Digital Zoom Versus Optical Zoom The digital camera is but a technological advancement of the conventional analog camera. And thus every component of the analog camera must have been upgraded or changed to bring in some improvisations. This discussion is an effort to unravel alteration and make one comparison between what was and what is! This discussion is thereby focused upon a very critical component of a camera (analog as well as digital), the zoom! |
home | site map |
© 2005 |